The Tribal Rhythms Gathering, Aug. 17-20, 2017, with Lewis Burns, Nadishana, Maestro Manuel Rufino, Beatboxers, Percussionists, Throat Singers and Dream Seed, Upstate NY

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THE TRIBAL RHYTHMS GATHERING 2017

THURS. AUG 17, 7PM – SUN. AUG. 20, 5PM

DIDGERIDOO MAKING WORKSHOP WITH LEWIS BURNS ON SUN., AUG. 20.

UPSTATE NEW YORK (2 HOURS FROM NEW YORK CITY)

 

Welcome to The Tribal Rhythms Gathering, a camp-out retreat in the woods with musical masters in the fields of didgeridoo, percussion, Tuvan throat singing, traditional African rhythms, handpan, beatboxing, live looping, and much more. This year’s gathering will feature international artists: Nadishana (Siberia), Lewis Burns (Tubba-Gah Wiradjuri, Australia), Mikko Heikinpoika (Finland), along with Maestro Manuel Rufino (Taino, Dominican Republic), Kevin Nathaniel, Kaila Mullady, Mark Martin, Amit Bhomwick, Jacob Cole, and Dream Seed. Participants will experience the mastery and magic of world-renowned musicians such as Nadishana, who plays over 200 instruments, many of which he has invented along with the opportunity to experience a traditional healing sweat lodge with Taino elder, Maestro Manuel Rufino and hear the teachings and stories surrounding the didgeridoo as shared by aboriginal elder, Lewis Burns. Prepare yourself for a mesmerizing gathering of global culture, world-class music, workshops, and ancient shamanic wisdom.

Watch our Presenter Reel:

DETAILS

Accomodations: There is camping available for free on site. Hotels are available 20-minutes away. All participants who are camping must provide their own tents, sleeping pads and sleeping bags. We will send you information on the nearest hotels as soon as you register.

Food: Vegetarian meals will be provided throughout the retreat. Meals include Thursday dinner, all meals for Friday and Saturday, and Sunday breakfast and lunch. We guarantee you will feel satisfied with quality food prepared by quality people.

Location: This event is being held on private land upstate New York (2 hours driving from New York City). The exact location will be given upon registration.

Arrival/Departure: Activities begin the night of Thursday, August 17 at 7pm with dinner and opening ceremony. Activities will end on Sunday, August 20 at 5pm.

Parking: Parking is available on site and we encourage carpooling as much as possible. Please let us know where you will be coming from and if you would be able to bring additional people in your vehicle.

Public Transportation: Shuttles can be arranged to and from the event site and nearby towns. We will send you the best transit options via email as soon as you register and will help you find the best option.

What to Bring:

  • Tent
  • Sleeping Bag
  • Sleeping Pad/Camping Mattress
  • Pillow
  • Clothing
  • Sweat Lodge outfit (bathing suit or sweat lodge dress)
  • Bug Spray
  • Rain Gear (just in case)
  • Waterproof boots or hiking boots
  • Didgeridoo (we can provide instruments upon request)
  • Other musical instruments (optional)
  • Yoga Mat or blankets for sitting outdoors
  • Comfortable long pants and long sleeve shirt
  • Jacket (it may get cold at night)
  • Towel
  • Flashlight

TICKETS

Ticket cost is $397 for a full event pass. This price includes meals, accomodations, workshops, sweat lodge, concerts and all activities Friday through Sunday. This price does not include the didgeridoo making workshop, details of which you will find below.

Ticket cost is $150 for a 1-day pass. This includes 3 meals and all event activities during a 24-hour period.

 

BONUS EVENT: DIDGERIDOO MAKING WORKSHOP

Sunday, August 20

didgeridoo eucalyptus making workshop with lewis burns Join Lewis Burns in making your own didgeridoo from a Termite Hollowed Mallee Eucalyptus tree that comes from Australia. This workshop is limited to 5 people and costs an additional $347. Bring your own gloves!

Workshop includes:

  • 1 log, harvested from the Australian outback near Dubbo.
  • Instructions and guidance on how to de-bark the log, shape the mouthpiece, work on the base and permanently fix any small hairline cracks (if any) and permanently plug any small holes from broken off twigs (if any).
  • Didgeridoo Painting
  • Meals for the entire day

Retreat + Didgeridoo Making Workshop cost is $694 and includes includes meals, accomodations, workshops, sweat lodge, concerts and all activities Friday through Monday.

Didgeridoo Making is limited to 5 participants! There will be other workshops happening concurrently for all other attendees.

BUY TICKETS HERE

Space is limited. Sign up now to reserve your spot!

Tickets cost $397.

Register for The Tribal Rhythms Gathering, Thursday-Sunday
Register for a one-day pass
Register for Full Event and Didgeridoo Making Workshop, Thursday-Sunday

DETAILS

Lewis Burns

Lewis Burns is a Tubba-Gah Wiradjuri man born and living in Dubbo, NSW Australia. He has been learning about his Aboriginal culture for as long as he can remember. He continues to practice and respect these life skills each day and still learns and grows from this ancient knowledge. Lewis’ love of his heritage is evident when you speak with him, and depicted even more in his Aboriginal crafts, traditional dancing, didgeridoo performances, mural paintings and teaching. He is very dedicated to sharing what he knows with others to help keep these customs alive. Lewis paints in traditional Aboriginal and contemporary styles. He has exhibited globally and performed globally with his handcrafted didgeridoos. Each piece of Lewis’ artwork tells a story…..a story that will live on forever through the generations, as the artwork is handed down from one family to another.

Maestro Manuel Rufino

Maestro Manuel Rufino is a recognized elder in the Taino tradition and World Director of M.A.I.S.C. He is a spiritual guide, gifted ceremonial leader and teacher of sacred initiatic traditions of the world. Maestro Manuel is also an artist, certified iridologist, naturo-therapist, vegetarian chef & the visionary guiding the Golden Drum community and many vegetarian restaurants including Jungle Café in Brooklyn. Guided by his teacher, Maestro Domingo Dias Porta, Maestro Manuel has been following the trails of indigenous healing arts for over 40 years. Maestro Manuel travels around the world sharing initiatic traditions, leading workshops, lectures, sweat lodges and healing rituals.

In 2010 Maestro Manuel and a number of his students opened Golden Drum as a space for sacred traditions in New York City. Founded to give voice to the worldview of Native Americans, indigenous peoples and the esoteric schools, Golden Drum features living representatives and students of these great traditions.

Nadishana

Nadishana is a multi-instrumentalist, composer and sound designer from Siberia, who creates his own unique and innovative approach to world fusion music – the creative synthesis of different musical traditions of the world on the basis of contemporary technologies. He plays on more than 200 instruments of the world, including self-created ones.
He elaborated the unique playing technique on each of his instruments and his own approach to advanced digital audio editing called “sound microsurgery”.

In April 2008, the music of Nadishana was used for the choreography at The Bolshoi Theater (Moscow, Russia). In 2012, Kuckhermann-Nadishana Duo was invited to be the opening act for the Dead Can Dance concerts in Europe, Turkey, and Russia.

Mikko Heikinpoika

https://www.youtube.com/watch?v=jibTAUodMT8

Mikko combines modern trip-hop, dub step rhythms, and cutting edge organic bass sounds combined with ancient ritual-like singing to create a unique mergence of archaic and futuristic music. Mikko has travelled through Tuva and Mongolia where he has taken part in various throat singing ceremonies with the world’s throat singing masters. In the Summer of 2015, he won third prize of the modern category in the style of the “Khoomey” at the Throat Singing Festival held in Tuva.

Kaila Mullady & Mark Martin

Kaila Mullady is a New York based performer – The 2015 World Beatbox Champion, the current America Vice Beatbox Champion, Loop station champion and three time, reigning Beatrhyme Champion. Kaila performs all over NYC and the country infusing beatboxing, singing, rapping, poetry and theater to push the boundaries of creativity and show just what the human instrument is capable of.

She is a multi-instrumentalist, using a RC 300 she is able to loop guitar, beatboxing and vocals to become a one woman band. One half of the Adventures of Kaila and the Kid and part of NYC’s premier freestyle comedy rap group North Coast, incorporating improv comedy and hip hop. Teaching workshops all across the country promoting reading, writing and finding your own soul music. Giving back to communities and volunteering is a big part of Kaila’s creative process.

Mark Martin (aka Mandibul) is a musician and an actor, and has been beatboxing since age 13, inspired by the Jazz, Rock, and Hip Hop music scene around him. He graduated from NYU in 2011 where he studied the linguistics of beatboxing, generating a body of work which informs the use of “beatrhyming” in Beat Rockers classrooms. In 2016, he became the American National Beatbox Champion.

Dream Seed

Dream Seed is a two-hour sound bath hosted by members of Golden Drum and Didge Project. Shamanic chanting, mantras, overtone singing, Native American songs, indigenous music, didgeridoos, crystal singing bowls, bells, gongs, harmoniums, tuning forks and other overtone-emitting instruments are used to create an environment conducive to deep relaxation and inward investigation. Participants are led through guided meditations and sound healing practices designed to harmonize body, mind and spirit.

Jacob Cole

Jacob Cole has been playing the drums since the age of 7 and studied percussion at Berklee College of Music. Jacob studied under Jamy Haddad, the percussionist for Paul Simon, who taught him the frame drum, udu, and kanjira. He has also studied with with tabla master, Ustad Zakir Hussain. Jacob is currently most known for his handpan music and world percussion blending. The handpan is a new generation of hand hammered steel instruments which came from the original inspiration called the Hang, invented in Switzerland in 2000. Handpans are now made all over the world, but they remain very rare.

Kevin Nathaniel

Kevin Nathaniel Hylton graduated Yale University in 1982 as Scholar of the House for fine arts. He has since devoted himself to music – African music in particular. He performs on several traditional African instruments and builds them as well. He is founding member of four music groups, Spirit Ensemble, Heritage O P, Forestdance, and Kaleidhaphonic, all of which currently perform in NYC and internationally. Kevin is a known composer of African-inspired contemporary music. He writes songs, lyrics, poetry, and essays on music and instruments. He has composed and recorded for the audio version of Alice Walker’s Possessing the Secret of Joy, for the film Beloved, as well as several documentaries. His workshops and lecture/demos have been presented at Lincoln Center, Juilliard, University of Michigan, Wesleyan University, and several other institutions. In 2005 he and Hasan Bakr were commissioned by Carnegie Hall to write and direct the fall Family Concert titled “DIndinyaa”. With Symphony Space he has helped create a program for African music that visits NYC schools and produces a concert every December. As an advocate for African culture he has been called the “Johnny Appleseed” of the mbira because he has taught tens of thousands of people all over the world the art of mbira making and playing.

Amit Bhowmick

Amit is one of the top beatboxers in the United States, competing in the final rounds of the American Beatbox Championships in 2013, and winning the Midwest Beatbox Battle in 2012 and beating current Grand Beatbox Champion, Kenny Urban, in 2014 at the East Coast Beatbox Battle. Amit has since come together with the top beatboxers in the United States to create the Beatbox House, a beatbox collective based in New York City that tours the world competing, teaching, and blowing minds with the magic of beatboxing.

Aum Prakash

Aum Prakash has traveled the world(s) as a healer and musician spreading positive vibrations to raise consciousness and unite humanity. He brings together sacred world music, healing songs, and conscious hip hop to bridge the ancient and the modern, inspiring an awareness of the sacred and an embodiment of the ceremony. Aum is a student of Maestro Manuel Rufino and lives in Hawaii. Aside from making music, his passions are sacred healing arts and adventuring with his wife OmniLove and daughter Makani.

Tripp Dudley

tripp dudley tabla frame drum

Tripp Dudley is a drummer, tabla player and percussionist based out of Brooklyn, NY.  His deep groove and virtuosity across multiple instruments have paved the way for his many journeys around the world with many different musicians.  

At the age of 10 he started playing guitar, and not long after that he began playing classical percussion with his school band.  He soon learned how to play drum set and then started the all day playing sessions that would fill his life for many years to come.    

At 20 Tripp began attending Berklee College of Music, specializing in drum set performance and frame drums. He quickly started studying Indian rhythmic systems which began a very big part of his future path through music.  At 22 he started playing tabla, which has been at the core of his musical practice ever since.

Tripp moved to New York City in 2007 to pursue his journey into the professional musical world.  During his years in New York, Tripp worked with musicians from many different genres – prog-rock/metal, hip hop, funk, jazz, singer-songwriter, Indian classical, many different world-fusion groups and even the occasional off-Broadway musical.  In 2009 he met his Guruji, tabla maestro Pandit Samir Chatterjee.

Tripp currently tours the world over with many different artists.  When not on tour he splits his time in the magical bustle of New York.  He remains a disciple of Pandit Samir Chatterjee.

Some of the artists that Tripp has shared the stage and recorded with are:  Simrit, Jai Jagdeesh, Bolé, Beth Nielsen Chapman, Snatam Kaur, PHWG, Mirabai Ceiba, Pandit Samir Chatterjee, Dan Weiss, Ezra Landis, Shannon Hayden, Jared May, Maartin Allcock, John Ragusa, Kevin Nathaniel, Salieu Suso, Salif Bamakora, Adam Rudolph’s GO: Organic Orchestra, Matthew Schoening, The Guruganesha Band, Copal, Letha, Highly Kind, and Tablaphilia, to name a few.  He also has his own Afro-Indian fusion project called Kaleidhaphonic.

Arkawa Juan Carlos Arévalo

ARKAWA (JUAN CARLOS AREVALO) is an indigenous multi-instrumentalist, producer, composer and arranger from the town of Pastos, Columbia. More than 25 years of exploration of ethnic music of the world serve as the foundation for Arkawa’s music. Mr. Arevalo has represented his country in international music competitions and at the World Championship of the Arts in Los Angeles, CA won Silver Medal for Best Original Work

DON’T MISS THIS EVENT

Space is limited. Sign up now to reserve your spot!

Tickets cost $397 for a full event pass OR $150 for a 1-day pass.

Register for The Tribal Rhythms Gathering, Thursday-Sunday
Register for a one-day pass
Register for Retreat and Didgeridoo Making Workshop, Thursday-Sunday

Central Park Didgeridoo Gathering – July 1, 2017

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THE CENTRAL PARK DIDGERIDOO GATHERING

SATURDAY, JULY 1, 2017, 11AM TO 2PM

 DIDGERIDOO CLASSES WITH MEMBERS OF DIDGE PROJECT

CENTRAL PARK, NEW YORK CITY

Welcome to the Central Park Didgeridoo Gathering, a free event bringing together didgeridoo players from around the Northeast. At this gathering you will be immersed into the many uses and practices of the didgeridoo, with everything from beginners techniques to beatboxing and advanced rhythms.

This is a potluck. Be sure to bring a vegetarian dish to share with at least 10 people!

Need a didgeridoo? No problem, just check off that you need an instrument when you RSVP and we will provide them for you.

RSVP for realtime updates, day of event contact phone number, details on what to bring, directions on how to get to the Great Hill, and more.

Video From A Previous Central Park Didgeridoo Gathering

Heart and Mind Festival: Voices of the Earth – June 16, 2017

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Heart and Mind Festival 2017 Poster

In a time and place where humanity is at a crossroads, the Heart & Mind Festival has become a trusted ground for all people choosing to awaken on the path of consciousness. At the Heart & Mind Festival, elders, teachers, indigenous wisdom keepers, and people devoted to the consciousness movement worldwide come to offer their visions, wisdom, and ways.

Watch the Heart & Mind teaser:

Featuring Tito La Rosa, Kevin Nathaniel, Chief Perry of the Lenape Nation, Maestro Manuel Rufino, Dream Seed and more!

This 5-hour free event features:

  • Indigenous Elders
  • World Musicians
  • Organic Vegetarian Food
  • Conscious Business Vendors
  • Free Giveaways and Raffle

Check out Tito La Rosa and Kevin Nathaniel performing together at the Heart and Mind Festival 2015 in Poland:

 

RSVP TODAY!

The first 200 people that RSVP get a free gift bag from Shaman’s Market!

www.HeartAndMindFestival.org

3-Minute Basic Beatbox Tutorial: Hip-Hop/Rock Beat

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In this basic beatbox tutorial, we look at a rock and hip-hop rhythm comprised of 4 basic sounds. This is a syncopated rhythm, meaning there are sounds that fall on both strong beats and weak beats. As with many beatbox rhythms we are imitating the sounds of a drum kit by using the mouth cavity and vocal production mechanism.

The basic sounds of this rhythm are: the open kick drum as a buzz (B), the muted kick drum as a popping sound (written P), the snare drum (Ka), and the closed high hat (t). Lastly we notate the inhalation (in) so you know where in the cycle to breathe in.

Here’s the fully noted rhythm:

B _ _ p, Ka _ _ B, _ t B _, Ka _ (in) _

The blank spaces signify beats on which you are not starting any new sounds. The commas (,) are written every 4 sub-beats so you can see how this rhythm fits into a 4-beat structure.

The beat numbers written out in the video (1 e + a, 2 e + a) are the standard notation for breaking a beat into four sub-beats. Technically this is called 16th note subdivision. When you hear the beatboxing happening in this video, the tempo is quite slow, as beat 1 is on the first B and beat 2 is on the first Ka. This means there is a lot of space to fill in between these numbered “macro” beats and that’s why we need to count these subdivisions with e + a. When you count out loud you would say, “one ee and a, two ee and a…”

Questions about this basic beatbox tutorial? Ask in the comments section below.

A Popular Didgeridoo Rhythm and How To Play It

In this video for intermediate to advanced level didgeridoo players, we share a popular didgeridoo rhythm found in music all around the world. I use this rhythm in my playing more than almost any other because it flows so naturally on the didgeridoo, djembe, guitar, piano and any other instrument I can get my hands on.

–> Free download: World Rhythms for Didgeridoo (45-minute class): https://www.didgeproject.com/worldrhythmsclass/

Where can I hear this Didgeridoo Rhythm?

Known as the Caribbean Clave, Tresillo, Malfuf and many other names, this bell pattern is essential to Afro-cuban, Afro-Brazilian and Latin music. Originally brought to the Americas by African slaves, this rhythm is found in most traditional African music and most Latin-American styles. This rhythm is fantastic for collaborating with other musicians as well as jamming on your own.

The essence of the tresillo rhythm is accents on beats 1, the & of 2, and 4. If you do not immediately understand what this means in writing, watch the video for a demonstration.

There are two ways to conceptualize the tresillo rhythm:

A.     Use strong exhales (abs) to play notes on beats 1, the “& of 2” and 4. This approach is demonstrated in the very first moment of this video.

B.     Take a pattern of 8 beats and divide it as 3, 3, 2. In other words:

1 2 3  1 2 3  1 2

In terms of breathing patterns, the rhythm looks like this :

Ha in ha Ha in ha Ha in

***Note that Ha represents an exhale and In represents an inhale***

With a metronome you can practice playing this didgeridoo rhythm perfectly in time. This will really help to develop your feel for syncopated rhythms.

 

Question of the day:

What is a  didgeridoo rhythm you love to play? What are some rhythms you want to learn to play on didgeridoo?

Post your reply in the comments section below. Your response helps us know what content to make next so we can serve you best!

 

Video Credits:
– Camera: Adrian Dimatteo
– Reggaeton drum loop: https://www.looperman.com/loops/detail/71114/reggaeton-drumbeat-3-by-kristijann-free-95bpm-reggaeton-drum-loop
– Guest musician: Adam Maalouf on Frame Drum. Full video here: https://www.youtube.com/watch?v=1dRtx_LD5Z8

RAV Vast RUS Scale (A Minor) Product Demo: RAV Universal Scale

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The RAV Universal Scale in A Minor, usually referred to as the “RUS” is a beautiful sounding instrument which is notable for its sustain effects. Listen in this video as you hear the notes ringing out and the effect they have over the long period of fading out.

The notes of the RAV Vast RUS are:
(A) C E G A B C D E

In scale tones relative to the key of A, the notes are:
1 b3 5 b7 1 2 b3 4 5

Note that the third and seventh scale tones are both flat, meaning they are each a half step lower than the major third and major seventh (which derive from the major scale) respectively.

The RAV Vast A RUS RAV Universal Scale, other RAV Drums and RAV instrument cases are available for purchase at the Didge Project store.

Purchase this instrument here

Turning Pro: Tips From Master Hang Player Manu Delago

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Manu Delago’s stellar hang playing, drumming, composition and production skills have brought him around the world numerous times. Collaborations include big name artists including Bjork, Anoushka Shankar, Shpongle, Cinematic Orchestra and more. In this interview, Manu shares some of the most important keys that allowed him to take his music to a higher level.

During the interview I asked Manu about his musical training and what his best teachers passed on to him. We also discussed how important it is to play with a metronome, how to learn to play dynamically, the benefits of collaboration, exploring different instruments and styles, composing music and more.

See Manu Delago live in NYC on Tuesday, March 21: http://lpr.com/lpr_events/manu-delago-march-21st-2017/

Manu Delago’s latest album, “Metromonk,” and many of his videos, recordings and tour dates can be found at http://www.ManuDelago.com

Music performances by Manu Delago featured in this interview:

“A Long Way”

“Wandering Around”

 

“Bigger Than Home”

 

Didgeridoo Playing Tips: Getting A Better Drone Sound

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In this video we share 3 didgeridoo playing tips that answer the questions: “what do you do if you can’t get the didgeridoo to make a drone?”, “how do you start the sound most effectively?”, and “how do you ensure to have a good tone on didgeridoo?”

Lip stretching exercises are a huge first step for anyone having trouble buzzing their lips and getting a basic drone on didgeridoo. The stretches shown in this video are great to practice 5-10 minutes per day until you accustom your lips to buzzing in a very relaxed and loose way.

Another key is to make sure you have enough pressure behind your lips right before you start to buzz. We recommend using a “P” sound to get the drone started strong and on cue.

The third key is to make sure your lips make a good seal on the instrument. If any air is leaking out the side of your mouth while you play this will greatly detract from the quality of the sound.

Question of the Day: What is the one thing you struggle with most on didgeridoo? Post your response in the comments section below so we know what will help you most and which didgeridoo playing tips to share next.

Tacta Handpan Product Demo with Matt Bazgier

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Tacta handpans are professional quality instruments made by Brazilian craftsman Rafael D’Arco. The sensitivity to the touch makes these instruments as good as any handpan around. Here Matt Bazgier demonstrates some of the amazing sounds you can get out of a Tacta handpan.

*Purchase a tacta handpan online at https://www.didgeproject.com/product/c-dominant-handpan-hardshell-carrying-case/

*Customers in New York City can come sample this instrument at our store (by appointment only): https://www.didgeproject.com/didgeridoo-store-in-new-york-city-nyc/

The tuning of the instrument played in this video is C# Sapphire. The scale is C# G# B C# F F# G# B C#

Matt Bazgier is a multi-instrumentalist and music producer from Poland currently living and creating in New York. In his work, he explores the borderline of music and personal growth.
His music is deeply rooted in a world of spirits and is treated as a spiritual practice. For several years, he is practicing under the supervision of Elders of indigenous cultures from many parts of the world. Listen to more of his music at mattbazgier.bandcamp.com

The Tacta Handpan Story:

In Brazil in 2010 handpans were very difficult to get. That’s when Rafael D’Arco, pianist and percussionist, started researching the production process.

In 2015, D’Arco set up his workshop and developed the tooling required to cut, shape and tune the steel sheets, turning them into proper handpans. A year of research, which involved a few trips abroad, led to his refinement of handpan production.

The long search for the most adequate metal, ideal thickness, heating process, tools and tuning techniques, led to the pleasant sound of the Tacta, which continues to evolve.

Circular Breathing Basics for Didgeridoo: Bounce Breathing

Bounce breathing is one of the didgeridoo circular breathing basics all players should learn. In this approach, the cheeks appear to be full the whole time. The quick pace of this exercise is the key.  The emphasis here is on maintaining a constant rhythm with your breath and sending continuous air through the didgeridoo with your abs.

This technique works well for beginners because it is not necessary to actively squeeze the cheeks

Make sure to focus on the rhythm and keep your cheeks full the whole time. The rhythm comes from the continued pressure. So it’s just “Out-In-Out-In…” repeating at a quick pace. Staying in time is very important for this exercise.

Again, we are keeping a very rhythmic breath cycle: in out in out. In through the nose, out through the mouth. You don’t even need to squeeze your cheeks. If you are doing it right you will maintain pressure in your cheeks and this keeps the air flowing through the didge. Pracitce this by getting into the rhythm without the didge at first. This needs to be done quickly because if you do it too slow it doesnt keep the pressure up and keep the sound going. Notice that the cheeks never come in all the way. Abs are very important here.

Bounce Breathing is an essential technique for didgeridoo players of all levels, so make sure to check out this video.

 

What is the most difficult part of learning circular breathing? Post your response in the comments section below.

More Circular Breathing Basics

Circular breathing is a wind instrument technique that allows the player to sustain a tone for an extended period of time. This is accomplished by storing air in the mouth (inflating the cheeks) and using this reservoir of air...
Many people try to learn to circular breathe without having the proper foundation in place. The exercises presented in this video show you how to develop the individual components that go into circular breathing, particularly the abdominal muscles (abs)...
The Long Inhalation is a special circular breathing technique for didgeridoo or other winds, which is different from the way you see it taught. To perform this exercise you will need your lungs to be mostly empty. Essentially you will...

Music from this video: “Didge Hop” by Didge Project

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